With the Absolute Hybrid Series drums, Yamaha has succeeded in addressing this, with a drum set that possesses an extraordinary degree of expressive power, allowing drummers to pursue a level of expression that perhaps they've not experience before in their other drums.
These drums offer a wide dynamic range that allows them to respond accurately to each and every stroke, and follow changes in dynamics, nuance, and touch, letting you play what you want to play. Home Artists Teddy Campbell. Absolute Hybrid Maple.
Other Drum Artists. Chris Hesse Hoobastank. View All. Look out for this rising star. How did the gig come about? Rickey recommended me for the gig. MD: What does the gig require? Are you reading charts? Teddy: Oh, yeah. MD: Is Rickey flexible? How close do you have to stay to the original recording? But he can be hard on anybody who sits in that seat— anybody. If a song is supposed to be two minutes and twenty-five seconds, then it has to be two minutes and twenty-five seconds.
MD: Are you familiar with the tunes? Some of them date from before you were born. Teddy: Oh yeah, a lot of them. But you know what? I grew up in church, playing strictly gospel music. You have to be very attentive.
Teddy: Well, thank you. Growing up, I only played gospel music. But I was a fan of music, period. I always listened to a lot of music. Up until then, I only knew church music. Of course, I knew there was a whole other world of music out there, but I never needed it.
From then on, I always listened to a lot of different music. I wish I had been around for that era. Oh, man. But all that stuff was so funky. MD: Did you start playing along to those records?
I always had music in my head. MD: Did you also watch videos? It was more just playing along with CDs, listening to the music, and getting on the drums and trying to do that stuff myself. I never got into videos. MD: Are you self-taught? Teddy: Yes, completely. I played my first song in church when I was four years old. MD: Who taught you how to read charts?
Teddy: Well, that came from on-the-job training. MD: In church? Teddy: No, we never had charts in church. After living in L. Rickey was the musical director for Whitney Houston, and he was also doing Motown Live. So Wayne introduced me to him. When I got to rehearsal, it was all charts. But my ears were good from all of the experience I had playing in church.
I can hear a song once and play it. But I like the way you feel and I like what you do. So when the charts show up, follow them as much as you can. Use your ears and do what you do. And after a while I started seeing the charts so much—all of the symbols and signs—that everything became familiar. MD: Rickey gave you a break.
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